As its name implies, audio networking allows you to transport large amounts of data over a single cable. The bandwidth for modern networking transport protocols is enough to carry hundreds of audio channels without the compression once necessary to do so. This means that audio can be moved quickly over long distances without signal degradation or the expense of conventional analog cabling. The flexibility demanded by data network protocols also opens up possibilities for audio system configuration that were once impossible. Many nodes of I/O can be placed throughout a facility or venue without the limitations imposed by analog cabling. Because networked audio is digital, electromagnetic interference and cable capacitance that can degrade audio signal quality in the analog domain are no longer problematic.īecause many modern digital audio devices also offer remote control over LAN networks, this also reduces the amount of cabling. In an audio network, control data and audio can travel over the same connection, facilitating flexible routing, preamp control, and more using a single cable. In a traditional analog system, remote analog I/O must be located within a relatively short distance between the source and the destination. Let’s take a common example: the multichannel snake. In a live setting, the stage box to which the musicians are connecting their gear is located with them on stage. This shortens the cable runs coming from multiple locations (e.g., the lead singer’s mic, the guitarist’s amp, etc.). These cables are connected to a stage box which is attached to a shielded multichannel snake that makes the long run to the mixer at Front-of-House. In a distributed audio network, each musician could have their own node on the network, potentially. Multiple networked stage boxes can be spread around the stage, making the analog cable runs as short as possible to minimize signal degradation. Take this concept a step further, and multiple sources can be spread throughout a large facility, each sitting on the network to be sent to many mixers on the network, not just the one at front-of-house. This flexibility makes distributed audio networking an appealing concept for both mobile and installed applications, not only because of the affordability of Ethernet cabling, but because of the ability to customize each system for the people using it. On the surface, this level of flexibility lends itself to a deeper complexity than a standard analog system. Dimensions (HxWxD): 4.6" x 4.6" x 1.80" (116.84 x 116.84 x 45.However, when one considers the function of an analog patch bay within a studio setting, audio networking can seem a bit less daunting.Īn analog patchbay’s purpose is to facilitate the routing of audio.SoundTools WallCAT 8 XLR Black Specifications: Fits standard 4-inch electrical junction boxes for easy installation Cat Window Hammock, Hammock Bed, Cat Hammock, Fashionable Cat Hammock, Cat Cafe stripe window hammock Ceiling wall cat step 7 style step set Window cat.No soldering required as all connections are pre-wired – just plug in cables.Allows transmission of audio and data from one room to another over installed Cat5 cable.Requires shielded (STP/FTP) CAT cable for proper function. It enables sending and receiving of audio and COM signals through CAT cable and is compatible with analog, DMX, AES3, and intercom signals. This package was approved by moderator gep13 on. Never experience 404 breakages again Learn more. The WC851 WallCat is a 2-gang wall plate with 4 XLR female, 4 XLR male, and 2 RJ45 connectors. To install Wallcat for Windows, run the following command from the command line or from PowerShell: > Private CDN cached downloads available for licensed customers. SoundTools WC851-B Two Gang Wall Panel with 4 Female and 4 Male XLR to RJ45
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